Sunday, October 14, 2012
cheap lv handbags sale Who is Sid Kali
Who is Sid Kali? I've written, directed, and produced two full-length urban features, CONSIGNMENT and IN WITH THIEVES, plus have a third feature in production titled STASH SPOT.
Some people feel that when you attach the word urban to an independent film the story will be based on slices of life that unfold in housing projects or the barrio. Which do provide rich and colorful backdrops that reflect a slice of americana.
On the flip side urban culture has moved beyond the housing projects and barrios. Taking those attitudes and feelings into new environments. This opens up new backdrops for you to shoot urban films. You no longer are forced to only shoot in the inner city to produce urban films.
A few other hits urban movies take is that the production quality will be less than an art house film made on a similar budget. That urban movies don't have well written scripts and they all look the same style wise.
Many innovated filmmakers that love the urban genre are changing the way people think about that. They are putting out high quality urban movies made on indie budgets that are freshly entertaining.
The diversity of the urban genre continues to grow because the storylines are connecting with a larger audience by going beyond what you would expect to see in an urban movie. The elements you can fold into an urban drama are becoming more complex earning these films more respect.
The word 'crime drama' is used to describe films like 'Training Day', 'The Departed' and 'Scarface', but to many urban movie buffs these aren't crime dramas. They are urban masterpieces done by highly talented and respected filmmakers at the top of their creative game.
Shooting urban movies has always been a goal of mine. When I began fleshing out the script for CONSIGNMENT my first feature film I wanted it to be authentic across the board. Nothing kills the vibe of an urban movie more than it being completely phony. Like in the older Westerns when the Native-Americans were played by blonde hair blue eyed actors. Imagine how different 'Dances With Wolves' would have played to viewers.
There are tremendous actors out there at every level that can deliver powerful performances. On a larger budget feature actors are able to get into character, research the role, or work with a dialect coach if needed. On a truly independent film budget you will be lucky to get in a decent amount of rehearsals before shooting.
It is sometimes a benefit to work with real people for what I see as tailored roles. In CONSIGNMENT we had a character named Smiles that was from the streets and had survived a nearly fatal shooting. My friend Ruben Navarro was cast. Unfortunately, he did survive a near fatal shooting in his life. It made sense to me as a director to work with him as a first time actor since he understood the character from personal experience. It wasn't like he was being cast as for a role he had zero knowledge of.
As the writer I felt that this particular script was best served highlighting a Black and Latino perspective playing out through the film. The plot centers around a Virginia Beach drug dealer that runs into trouble and has to lay low in Southern California. This being the movies all the problems that come with power, drug money, fast women, and jealous rivals has to come out. It was nice to be able to mix in the subtle cultural differences between the two places.
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